| UK
              Artist Myrea Pettit 
  Fascinated 
            from my earliest memories of the world of fairies, of wondrous stories 
            of my childhood, I tended not to over read the books I was gifted 
            with, but be enchanted by the wonderful illustrations of Margaret 
            Tarrant , Cicely Mary Barker, Rene Cloke and Arthur Rackham, 
            and Ann 
            Mari Sjögren. It was Ann Mari's illustrations in her book 'A 
              day in Fairyland' published in 1948 that held me spellbound, 
              little did I know that I would find her in Sweden still illustrating 
              books at the age of 84. Ann 
              Mari recently wrote me a note. 
              That is my very own fairy story.  I was greatly honored to have her contribute to a Fairy book that
              also featured my work 'The Art of Faery', published by Paper Tiger
              in September 2003, written by my mentor and Fairy Godfather for
              so many fairy artists who have never had their work published before,
              with a foreword by the genius of faeries, 'Brian
              Froud'   The success
                of that book was so amazing that in September 2005 Paper Tiger
                will publish another book 'The 'World of Faery' this time with
                a foreword by great illustrator Alan Lee. It is really the greatest
                honor that we Faery Artists have the support of Brian Froud and
                Alan Lee, it perpetuates their outstanding achievements in illustration
                and art since their own book Faeries was published in the 1970's
                and adds so much spiritual connection to our love of art.
 I have met and made many new friends on the Internet including 
              Jane Sullivan and her Fairy 
              Fonts, Visionary 
              Artist Marja Lee Kruÿt  and 
              Elizabeth Jane Baldry and her lovely Fairy 
              Harp Music I was born in 1970, one of three children, and my brother and
              sister and I were all encouraged to draw. We spent so many of our
              childhood hours when not doing our schoolwork, and every weekend,
              drawing and painting or colouring.  My sister and I were always looking for fairies and dressing up 
              as fairies playing in what we believed were their hideaways in the 
              quaint old village with its thatched cottages where we lived. Sadly 
              losing my grandparents recently uncovered a treasure trove of my 
              childhood drawings. I love the one I did for grannie when she 
              had an operation on her toe!  We had this competitive nature, the three of us, each doing our
              best to produce better likenesses, particularly eyes, mushroom
              houses and rickety old beamed cottages. Our art flourished, my
              sister finally preferring to draw still life and animals, my brother
              studying and graduating in graphic design, his outstanding drawings
              produced with thousands of ink dots called pointillism. (Some of their work can also be seen by clicking on the links at the bottom
  of this page).
  So 
              was I blessed as the only one who saw fairies? Maybe I was the only 
              one who believed in them! For I have discovered since starting my 
              web site two years ago a whole new world and meaning of faery which 
              I had been unable to explain, and which thanks to Brian Froud and 
              teddybear and faery artist Hazel 
              Brown I now have had clearly explained to me. Short 
              extract of an interview with Brian Froud talking to Myrea Pettit
 Brian 
              Froud talking with Hazel Brown.
 You will require Windows
  Media Player 9
 A picture 
              from Brian Froud It is our own individual connection to nature, to the world about
              us and the world within us, which is a very personal individual
              journey. Whichever artist's name happens to be on the work, it
              is almost like we have to maintain the reverence and sacredness
              of the whole concept, which is something bigger than all of us.
              It is something that we as individuals can access and need to access
              at this time in the world. When you start to paint faeries you
              set off on the beginning of a spiritual journey.  My fairy drawings are my own inspiration, either created for poetry
              or storybooks or to inspire the imagination of children and adults. For examples and further information see Sunflower 
              Fairy
 Subjects chosen have been selected to be published in books and 
              used in magazines, for the Waterside Inn for Chef Michel Roux, on 
              limited edition plates and fine china, place-mats, fine stationery 
              and other decorative products and used world wide as friends for 
              life as tattoos.
 My interests centre around classical music, conservation of the
              environment and wildlife. A true nature lover for the beauty and colours of the flowers,
              of all things small and delicate, I spend hours photographing or
              drawing from my experiences and travel to search for the hideaways
              of the little people and their friends and to show the world that
              such beauty is in the eye of the beholder and, like me if you really
              believe, then surely you too will see the fairies at the bottom
              of your garden.   The talents of Myrea together with the drawings and illustrative 
              skills of her sister Michell 
              and her brother Mark using 
              pointillism (dot graphics) are available for companies and businesses 
              worldwide.
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